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Methods of contextualising 1

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Methods of contextualizing / Written response

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Labours 2

Notes from Labours 2 workshop:

• Interesting exercise in citing a set of people who inspired our group individually (Anthony Burrill, Dana Abdullah, Raymond Queneau, Anne Alders, Oswin Tickler). In group with mainly Yr 2 students
• We cited using Language in the form of Text and vice versa after eliminating more everyday connections such as form, methods craft.
• Fascinating way of reconsidering connection, citation
• ‘Book Waste Book’ reference – everything about supply chain and material on the imprint page in the prelims, very interesting for my industry background
• We chose the loafers image to ‘citate’ and considered everything from materials to corporate map of sales, distribution, company ownership all the way to basic ‘commons’ involved in the production or a shoe, and cultural references such as the Japanese heritage in the design

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Methods of contextualising 2

15/2/25

Tutorial 1 notes
• Eduardo advised that in his research, motion was not recommended in icon design focussed on improving accessibility
• José – simplified the toolbox in Adobe, can this expand to other tools? Can it be more complex?
• Adobe software monopoly discussed, pricing means majority of users catered for are sighted
• Is bespoke toolbox design achievable? Will we alienate one community if we work with another?
• Abbie – conversely, the development of technology has adversely the affected accessibility
• Beatrice – project is functional, recommends ally-ship and approaching the community we are focusing on to develop the enquiry and inform the design. Community-specific testing
• José – WACOM connection? Example from mark’s experiments, practical consideration in a week
• Abbie – recommend narrowing it down either ICONS, NAVIGATION or APATHY (Adobe issue), we’re asking the right questions.


Follow up meeting with Harry and Jane, with Abbie – agreed to approach various practitioners of low sight or connected to the community, to provide user led feedback. Also started sharing references for written piece.

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Methods of iterating 3

My final iterations were two videos, available here on Onedrive:
Iteration 1: https://artslondon-my.sharepoint.com/:v:/g/personal/m_ecob0820231_arts_ac_uk/ER4HrtyoXylLssVLa-rFbUsBz7Nsm-Gj20S2UBusHev1YA?nav=eyJyZWZlcnJhbEluZm8iOnsicmVmZXJyYWxBcHAiOiJPbmVEcml2ZUZvckJ1c2luZXNzIiwicmVmZXJyYWxBcHBQbGF0Zm9ybSI6IldlYiIsInJlZmVycmFsTW9kZSI6InZpZXciLCJyZWZlcnJhbFZpZXciOiJNeUZpbGVzTGlua0NvcHkifX0&e=jhkiOn
Iteration 2: https://artslondon-my.sharepoint.com/:v:/g/personal/m_ecob0820231_arts_ac_uk/EXzHMyiv-fJPl1GwiWa–FwBTAxQvRvULjj67KsKWkGbyQ?nav=eyJyZWZlcnJhbEluZm8iOnsicmVmZXJyYWxBcHAiOiJPbmVEcml2ZUZvckJ1c2luZXNzIiwicmVmZXJyYWxBcHBQbGF0Zm9ybSI6IldlYiIsInJlZmVycmFsTW9kZSI6InZpZXciLCJyZWZlcnJhbFZpZXciOiJNeUZpbGVzTGlua0NvcHkifX0&e=E90G4M

Some notes from my final tutorial:
• Yellow version works better, more contrast and curation
• The removal of the T is enough
• If iterated further, remove line between the words
• Consider space around it, now the move to moving image, is there a way of echoing ‘furniture’ from letterpress or a background?
• Yellow one succeeds because all of the hands are moving together
• Newsprint version (iteration 2) is more fruitful to printmaking, but feels like a proof or draft
• Artist mentioned as reference but incomplete – ‘Sebastian ____’, neon artist, being between words like this, to follow up
• Now I have the tool, further iteration could mean new words and brining this to a wider audience
• Could this riff on identity, could I commission cut letters of elements on identifying documents for me and repeat this process, asking “how are we defined by documents?”

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Methods of iterating / written responses

The form of draft 3 of my written response is a video.
Due to memory constraints, it is available here on OneDrive: https://artslondon-my.sharepoint.com/:v:/g/personal/m_ecob0820231_arts_ac_uk/EehlRFMMQO1KrFTJqtbn9PYBNWrqB6rn9FKh6xWVmmyR3w?nav=eyJyZWZlcnJhbEluZm8iOnsicmVmZXJyYWxBcHAiOiJPbmVEcml2ZUZvckJ1c2luZXNzIiwicmVmZXJyYWxBcHBQbGF0Zm9ybSI6IldlYiIsInJlZmVycmFsTW9kZSI6InZpZXciLCJyZWZlcnJhbFZpZXciOiJNeUZpbGVzTGlua0NvcHkifX0&e=StRlZG

Please contact me at m.ecob0820231@arts.ac.uk for any access issues. Thank you.